《夜王》所做的不是在讲“女性觉醒”的口号，而是在讲一种更现实的香港：在一个高度功利化、竞争激烈、节奏极快的城市里，女性从来不是花瓶，她们一直在工作，一直在承受，一直在算账，也一直在努力让自己不被时代淘汰。夜总会的退场，不会只影响到男性，它首先波及的是那些最贴近一线运作的人。影片让女性站在台前，实际上是把夜场从“猎奇场景”拉回到“职业社会”的讲述尺度中。
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I just hope the hapless Dortmund defender Ramy Bensebaini (yesterday’s Football Daily) does not follow my path. I too was directly responsible for four opposition goals in one game: one came from my taking a corner that curved behind every one of my teammates, allowing five of the other lot to advance on our puffing centre-back; another was me slicing a clearance so badly that instead of arcing down the touchline, it went at 90 degrees, landing at the feet of an opponent with enough time and space at the edge of our box for his own Grand Designs project. I never again played any form of competitive sport” – Michael Hann.